Brian Trenchard-Smith Presents: PULP FICTION B MOVIE NOVELLAS!

Remember those pulp fiction paperbacks of yesteryear and the movies they inspired? Hard boiled crime thrillers, full of murder, mayhem, betrayal, generally with a dame at the center of intrigue.  Many a B Movie came from a crime novella.

Blonde Hell-Cat On The Prowl

I want to introduce you to a trilogy of novellas that combines hard boiled noir with B Movie thrills. They are the latest work of actor, author, playwright, and screenwriter Dennis Pratt. He is also the great nephew of Boris Karloff.

Writer and Actor Dennis Pratt

This is one of Dennis Pratt’s acting headshots around the time we met. It projects a man you wouldn’t want to mess with. True. He generally played bad guys. But he’s also the most kindhearted decent fellow you’d want to meet, with an engaging sense of humor. He had been encouraged to write as well as act by a producer on the Magnum P.I series who admired Dennis’ ability to spontaneously come up with new dialogue on the set if a problem arose. Dennis entered the writer-for-hire market and soon scored two low budget movies. Kick Boxer – The Art of War and American Justice.

Kickboxer 3 Poster

American Justice Poster

A writer’s agent Michele Wallerstein introduced us. It was a good professional match. and we immediately collaborated on Leprechaun in Vegas and Leprechaun in Space, both of which reflect a shared sense of anarchic humor.

The Leprechaun and Elvis Impersonator In Vegas

The Leprechaun and Dr. Mittenhand in Space

When we co-wrote Britannic (a Titanic homage) and Operation Wolverine – Seconds to Spare (Die Hard on a train) together, I was blessed by Dennis’s understanding of the genres we were operating in, and a shared ambition to gives the fans of each genre as much of what they came for as budget would allow. 

Britannic Poster

Operation Wolverine - Seconds To Spare Poster

Dennis gained a reputation for fixing scripts that either missed the mark or needed remodeling for budget or cast. I brought him in to rewrite Deep Freeze, a blend of Them and Deep Blue Sea, to be shot in wintery Winnipeg, Canada, but the producers elected to shoot it in LA on the lowest possible direct-to-video budget, and I bowed out. Pity. It could have been an imaginative creature feature twenty years ago, but it needed name cast and quality visual effects.

Deep Freeze Poster

Between writing assignments, Dennis Pratt created a number of his own spec scripts. He had acquired a good ear for the language of officialdom from his time in the US Air Force. His gift for the banter of dubious characters probably came from moonlighting as a Los Angeles taxi driver between acting gigs. 

Dennis Pratt Taxi - Six Short Stories Book Cover

A couple of his screenplays got close, but we were never able to get them funded. I felt it would be a shame if nobody got to experience the oddball characters and hard-edged entertainment he created. I encouraged Dennis to remodel three of his screenplays into fast paced novellas. Just published on Amazon and Kindle, these are dark tales with vivid characters. Each explores a different crime milieu; mob crime, small town crime, future crime. 

Three books by Dennis Pratt

The front cover of THE SHOOTER AND THE KID is an homage to pulp fiction artwork of the 1950’s. Dennis Pratt grounds the story in a contemporary mid-level LA mob operation, with tentacles reaching across the Southwest. The criminal ambiance has pleasant echoes of The Sopranos and Breaking Bad.

The Shooter and the Kid Book Cover

Donna is the cynical, sexy enforcer of the Sean McGuire crime family. She’s reliable and discreet, generally achieving objectives without violence. This is an important stipulation when McGuire sends Donna to find out who has been skimming from his business enterprises. She is obliged to take with her a shy, stuttering 23 year old nerd, Max, who is McGuire’s nephew. Max is, however, a brilliant forensic accountant, and embezzlement bloodhound.  On the road to Vegas, a fractious chemistry develops, and Donna, shall we say, cures Max’s speech impediment. Max falls heavily in love. Their sex scenes are both funny and touching.  Against her better judgement Donna responds to Max’s inherent decency. She begins to re-evaluate her life. A confrontation with an embezzling casino manager results in an ambush, with Donna dispatching the thugs before a horrified Max. This triggers a series of gun battles and hairs breadth escapes as they go on the run from Donna’s vengeful boss. Max gets to grow up fast, and the story builds to a multi twist finale.  There’s plenty of muscular action and crackling dialogue in a tight 241 pages for fans of the genre.  It could make a fun Netflix movie if handled as an off-beat shoot-em-up, and the lead cast had palpable chemistry. 

The Only Place In Town Book Cover

The use of the widescreen movie format on the cover art of THE ONLY PLACE IN TOWN reflects its screenplay origin, a character driven suspense thriller, spiked with a dark vein of sardonic humor. With ownership of the gas station, the local store, and the diner, four brothers have a lock on a small town, until greed and ambition turn three of them against one. Their machinations become complicated by their long-suffering wives who contrive to escape the stifling misery of their marriages. Tensions notch up with the arrival in town of a mysterious man from their past.  I’ve always felt this twisted tale of deceit, treachery and murder would make a gripping movie in the vein of Blood Simple. I had Billy Bob Thornton in mind for the role of Zeb. But I was unable to get backing for it, and it passed to another well thought of director, but he too was unsuccessful. Perhaps producers ten years ago felt it was an ensemble piece with insufficient youth market appeal for theatrical release. But today The Only Place In Town, with seven juicy parts for name actors, is ideal for a streaming platform pick up. Think about who you would cast, as you rip through this fast paced novella.

Dreamland Book Cover

It is 2035 and many of our current fears have come to fruition. Air and water pollution, corroded infrastructure, civic corruption have become the reluctantly acceptable norm. Money remains the root of all evil. Sex has become a commodity rather than a bond. Think of it as an ‘R’ Rated Sam Spade story, set in a dystopian future, with an intriguing AI MacGuffin at its core.  

Each of these Pulp Fiction B Movie novellas is a fast read, full of excitement, suspense and surprises. Here’s where to find them:

Dennis Pratt Three Books

Writing is Re-writing… Persistence Wins!

I have writing credits on 14 movies, and have written many screenplays that never made it to production. One of them was a paranormal action/adventure entitled “The Executioner’s Daughter.” Between 2004 and 2009 it was optioned twice for good money, but we could never get a female star with the required level of wattage to trigger a studio distribution deal. But the story still gnawed at my liver, so I rewrote it as a novel and published my revised version in 2018 as ALICE THROUGH THE MULTIVERSE. It was critically well received. Best selling author Richard Christian Matheson wrote: “A brilliant and thrilling novel. Order it today and let it take you away…”

Here’s the trailer that my friends at BFX Imageworks made:

Here are some extracts from Amazon and Good Reads reviews:

"I flew through this book in two days because I couldn’t stop reading it. It was fast paced, clever and constantly engaging. A rollicking good read."

"Alice Through The Multiverse is a thrilling, high octane page turner that never lets up. It weaves elements of time travel, romance, history, espionage, action, and international intrigue into a unique story with vibrant characters."

"The writing style was fresh, cinematic, and the book reads as if you’re watching a movie unfold on the pages in front of you. Highly recommended."


(Yes, actual caps!)

"This is a slam bang, non-stop thriller that never lets up."

"ALICE THROUGH THE MULTIVERSE is a time-shifting delight that is rich in historical detail, populated by compelling and engaging characters, and filled with rousing action and provocative ideas. The book is both smart and accessible, a narrative with the strong structure of a classic that nevertheless contains the wild twists and turns only a maverick artist can provide."

"ALICE THROUGH THE MULTIVERSE has the same kooky energy of a ‘Destroyer’ novel. Would make for a poppin’ mini-series."

"The story is gripping and mesmerizing, rich in sensory detail and emotions."

"The characters are engaging and relatable. The prose is expert, with highly developed description and detail and a distinct sense of setting and emotion investment as you engage with the action of the novel. This is one of the most engrossing, fast paced and entertaining novels I have read in a long time. You’ll love it. It’s a great read."

Promotional illustrations for Alice book with woman's face, axe and gun.

Here is the full text of a review from someone experienced in the genre:

"I’m a big fan of time travel on the page and on screen, though in many cases the complexities and paradoxes of the notion can overwhelm a story to such an extent that any entertainment value is ultimately undermined (I’m looking at you, Terminator: Genisys.) In the case of Alice Through The Multiverse, however, the story and characters are – and remain – the focus throughout, whilst big questions are raised for the characters (and readers) to ponder.

Happily, the characters – both historical and contemporary – are well-rounded, and their decisions and actions never feel incompatible with what we have come to know about them. In the case of modern characters, this isn’t such a tough task. With historical characters, however, there are a plethora of potential issues that might arise to drag a reader out of the story – language, psychology, behaviour, belief, etc. The choice of the author to at least partly build his story around a medieval English peasant girl (the Alice of the title) is therefore a brave one. So, has he succeeded? In a word, yes. I cannot think of a single false beat when it comes to Alice, meaning that I whizzed through the thriller elements of the novel without losing my emotional involvement. As for the central mystery, I did think I’d solved it within the first 10 pages… but I ended up being wrong. (Not to stick the boot in, but the big Terminator: Genisys twist was ruined in the trailer… so Alice beats Arnold once again.)

If you’re looking for a thriller with heart – with mystery elements (and even theological considerations) thrown in – this will be a hugely worthwhile read. I’m looking forward to a sequel…"

The reviews are gratifying. More important than revenue, to this author at least, is that his words are read, that his ideas are shared, his imagination explored. It’s why we write. My advice to screenplay writers, if your script does not gain traction, turn it into fast paced prose. Persistence wins!

You can find Alice Through the Multiverse on